In The Boogeyman, high schooler Sadie Harper and her younger sister Sawyer are still reeling from the loss of their mother. Their father, Will, a therapist, is stuck in his own grief and unable to give them the support or comfort they need. When a new patient shows up at their home desperate for help, he brings a demonic entity with him. This terrifying entity latches onto the Harper family and begins spreading fear and turmoil through the home as it feeds off their suffering.
The Boogeyman features a star-studded cast, including Sophie Thatcher, Chris Messina, Vivien Lyra Blair, Marin Ireland, LisaGay Hamilton, and David Dastmalchian. The Boogeyman, an adaptation of Stephen King’s short story of the same name, is written by Scott Beck, Bryan Woods, and Mark Heyman based on a story by Beck and Woods. The movie is directed by Rob Savage.
FilmmakerFocus spoke with Rob Savage about his new horror movie, The Boogeyman. He explained the extensive lore of the Boogeyman, the design of the monster, and how this adaptation expands Stephen King’s original short story. Savage also praised The Boogeyman cast and reveals how, for one character, the movie starts in the third act of their own horror movie.
Rob Savage on The Boogeyman
David Dastmalchian plays the person that goes to see the therapist to talk about this. Can you talk to me about his role in this, compared to the short story’s original version of that character?
Rob Savage: It’s different, but I think it kind of shares the same DNA. Both of us wanted this character to be much less abrasive and odious than in the short story. In the short story he’s very aggressive, he’s a very certain kind of person. We wanted our Lester Billings to be more empathetic. We wanted him to be someone that the audience wanted to invest in, but also felt like he could switch like that [snaps] at any moment. David’s so great at playing that. He can play that vulnerability, and then you just see the tiniest little change in his eyes, and suddenly it’s like, “Oh, this guy’s going to kill me.” He plays that scene so beautifully.
Talk to me about the actual design of the Boogeyman, because it is terrifying. What went into the design and how did you come up with that concept?
Rob Savage: The brief I gave to the designers is the Boogeyman is just the name that we call this as kids. This isn’t the Boogeyman. Don’t think of it like this. This is an ancient evil that’s been around as long as there has been darkness. This thing, you’ve got to imagine it stalking caveman as they gather around their fire existing out in the darkness. It’s an ancient primordial thing, and we wanted it to feel weathered. Its skin was like tan leather and it had to feel like something bigger than just the Boogeyman. So we took a long time to get that design right. I don’t think we locked it until maybe a week before we started shooting. So it’s really down to the wire.
Wow, that’s incredible. You obviously have a great backstory for this character, but I get the sense that you could tell this backstory later on down the line.
Rob Savage: Yeah, we got into a lot of backstory me and David about where Lester had come from, what he wants from this interaction. We meet him, he’s almost in the third act of his own horror movie. He’s ready to face this thing down, but there’s a whole horror movie that exists before the credits roll that lead him there.
Your cast is phenomenal in this. Can you talk to me about what they brought to their performance that maybe surprised you with what they did when you guys got in front of cameras?
Rob Savage: They all brought so much of themselves, which is the thing that I’m grateful for. Chris, especially really loves to play around with lines and they’re all so collaborative. We had the script and we’d shoot a couple of takes of the script as written. Then it’d be like, let’s play around, let’s go off script. Let’s improvise. There’s an element of humor in this movie that was there in the script, but it’s only accentuated through just how funny Vivian is. Some of those lines that get people every single time in the movie she came up with on the day and we workshopped it together.
The amazing thing about Sophie is that, and I didn’t realize this until we were shooting, is just how much she carries this movie on her shoulders. She’s in almost every single shot of this movie, and just operated at this level of intensity that I know was exhausting. And she was there every day. It felt like we were kind of truly building the movie together with it on both of our shoulders. It’s incredible.