Sam Levinson’s HBO series, “The Idol,” has already caused controversy, but it’s clear that it’s making a statement about the sensationalism of pop culture. The fact that it was given space at the prestigious Grand Théâtre Lumière at Cannes Film Festival is a testament to its impact. The show follows the story of Jocelyn, a famous singer recovering from a breakdown after her mother’s death. The first two episodes present a more subdued setup than the trailer suggests, but it’s clear that Jocelyn’s team will stop at nothing to kickstart her comeback. Lily-Rose Depp delivers a riveting performance, exploring the fine lines between porn and art, power and exploitation that have faced young women in the music industry for years. With its neon-noir color scheme and preponderance of red fabric, “The Idol” is one part giallo, one part erotic thriller, and two parts Brian De Palma. It’s impossible to say where the show is going, but it’s clear that something, probably quite nasty, is afoot.
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