In a powerful video message to members, WGA negotiating committee co-chair Chris Keyser described the studios as being “shackled together in a mutual suicide pact.” He emphasized that the only way to end the ongoing strike is for the companies to return to the bargaining table and address all of the guild’s demands. Keyser highlighted the mistreatment of screenwriters, the denial of full protections to comedy/variety writers in streaming, and the dismantling of the episodic television process and payment structure as key issues. He also called attention to the existential threat of AI and the need for improved streaming residual formulas.
Keyser emphasized that all of these demands must be addressed for a deal to be reached, as the guild’s power is what matters in this strike. He criticized the studios’ failed strategy and their dedication to denying labor. Keyser expressed concern about the future of the industry, noting the different interests and business models of major companies like Disney, Fox, Netflix, and Amazon. He described the studios as each other’s apex predators, but united in their refusal to support labor.
The guild’s negotiating committee added that with SAG-AFTRA now on strike and growing solidarity among Hollywood unions, the AMPTP’s negotiating strategy has spectacularly failed. Production has come to a standstill, media companies are feeling investor pressure, and writers and actors have gained broad public and political support. Despite the challenges, the guild remains in a position of strength after 13 weeks on strike.
Keyser directly addressed the studio bosses, emphasizing that the guild is not their enemy but their partner and greatest asset. He urged them to acknowledge that the current business model no longer works for those who work for them. Keyser questioned the coincidence of two unions striking against the studios for the first time since 1960 and urged the bosses to envision a solution rather than a stalemate. He extended an olive branch, stating that this is a negotiation, not a war, and there are no winners or losers. It’s just a deal.
In the meantime, Keyser noted that writers can still write during the strike but cannot sell or pitch scripts until it is over.
